Info about:
Max Vadalá was born in 1976 (Buenos Aires, Argentina). He has been drawing since a very early age. School could not tame him, though. Neither when he took up a course in Advertising Design nor when he joined the School of Fine Arts. His studies remained unfinished —as he either dropped out or was eventually expelled.
Despite the fact that a parade of infamous teachers and chancellors came along, Max’s truly own creativity has always been his strongest drive.
His imagination allowed him to pave his own way, a furrow filled with the voices of outcasts, vandals and those who, like him, created their own school based on fanzines, artwork, comics, street murals and nightly characters.
This book compiles works which appeared not only in Buenos Aires Desorden Zine but also in flyers, posters, records, murals, fringe publications, “arms and legs” (tats), etc; which undoubtedly display a style of his own.
It’s been long years of activity, since 1993 with his fanzine and since 1991 in punk rock (first with Massacre en el Autocine, Bs.as. Desorden —band—, Nogal, Klub 699, Terror y Miseria, and currently with Sopa de Garrón and Acidös Pöpulares); always carrying a message, a scream which highlights what we are NOT; an invitation to searching what we are: Irreducible.
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http://rapidshare.com/files/352080048/PUNK_ROCK__ANARQUIA___TINTA_CHINA.pdf
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